by Marcus Clayton
“…if the snow buries my neighborhood…then I’ll dig a tunnel from my window to yours.”
-Arcade Fire
Confetti showered over our shoulders
swirled into spilt beer that drowned
your black flats, painting them rainbow,
and you still smiled as sweat swam
across our foreheads.
This time
you were doing a pogo as Win
yelped, “We Exist,” “Ready to Start”
and the sweat seeped down
as Régine chanted “Mountains
Beyond Mountains,” and not
from the nerves that swim through
your bones when a patient’s lungs, under
your watch,
deflate—the code blue that keeps you cold
your bliss sterile. No,
tonight
you breathe
in the nebulized fog machine
blue as the streamers dampening our shoulders
along with golds and reds,
greens and pinks
splashing over us
splashing
splashing over you—a serene sponge
bath in the coda of “Here Comes
the Night Time.” You will not
let IVs freeze your hand
as it reaches for mine
to let it sway
during ballads like loose hospital
gowns hung over former
vegetables learning to walk
again. You will not
let the overwhelming
picture of the ICU
take your breath as we dance
to Haitian percussion as it is studded
into us like a piercing on the hip.
You don’t think of the space
between me and the Step Down
Unit—where collapsed lungs
are pieced together and heart
beats drag like the broken knees
slugged around the Medical Floor.
We dance well after
the final notes of “Wake Up”
drifted into the blue fog within our lungs
and we cannot let go
of one another
happily kicking up discarded
confetti into the DJ’s turntable.
I held your hips
and swayed and you
were not cold,
your chest
expanded
deflated
at your own pace and you looked
at me
we did not feel
the watches on our wrists
when you gently cupped my neck
to pull my lips towards yours,
my pulse surged
into your hands, and between beats
you did not keep time
we did not keep time.
we did not
keep time.
Marcus grew up in South Gate, CA, and holds an M.F.A. in Poetry from CSU Long Beach. He coordinates poetry-reading events in Long Beach, is an editor for American Mustard, and a reader for The Offing. Some of his published work can be seen in Tahoma Literary Review, San Pedro River Review, RipRap Journal, Cadence Collective, Bird’s Thumb, and Canyon Voices Literary Magazine among others.
Beautiful
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