Poetry Spring 2017, Second Place: “Divorce” by Carl Boon

We received an extraordinary number of amazing submission for our first poetry contest of the year, and it took much hard work from our amazing staff to make the final decisions. Congratulations to Carl Boon for taking second place in the Spring Poetry Contest of 2017! 
Divorce

To Mother she wants
the almost-moon, the almost-flower
where she left her shoes.
Passersby pity her English,
but she makes worlds for them,
almost-landscapes,
narratives that come
when Father goes:
a whore is (not) a woman
in a wine-soaked gown;
criminals play roles,
eat circumspect bread.
That’s an almost-church,
she notes, this glass allows light,
but not the truth
of who we are, on almost-bikes
working through the mist
where Father surrendered
and Mother grew wise.
She gathers the fraught
to make stories, almost-stories
to make her whole. She knows—
a kerchief around a throat
conceals a scar, a ladder in the past
has fallen, will fall again.
All the dishes on the table,
the furniture in her room,
almost-things, an almost-family.
She has ways to make
her own scars heal.

 

Carl Boon lives in Izmir, Turkey, where he teaches courses in American culture and literature at 9 Eylül University. His poems appear in dozens of magazines, most recently Burnt Pine, Two Peach, Lunch Ticket, and Poetry Quarterly. He is also a 2016 Pushcart Prize nominee.

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Why You Write

Written by: Loan Le – Fiction Section Editor

So, here you are. You have turned down invitations to parties and happy hours, because you cannot socialize when you have a character in your mind, her voice echoing like a message over a PA system in an empty hallway. You have endured strangers’ tilted heads, the sardonic curl of their lips, the upspeak “Oh, really?” when you explain that you are a writer. Your worth has been challenged and measured against already established writers. Your work is “not the right fit” for this journal or that magazine. All of this has left you despairing, wondering why you have chosen this particular way of being, which lately brings much more pain than reward.

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Credit: John Liu

Step back. Somewhere, find a pocket of peace where your thoughts are your own, where you hear only yourself. Recognize, first, that by writing, you have created a record of metamorphosis. As a child, you started out with the alphabet, tracing lines and curves of letters with a No. 2 pencil and combining them to make things called words. And then you strung them together like beads on thread to form a necklace, and another, and another, until you found it: your voice. You. My name is . . .  I am . . .  My mother and father are . . . You came to know yourself through writing. 

But who are you in this world? You are not alone. You have spent so many years pressing yourself against the wall, content to be unseen. Writing constructs the bridge between you and them. Through writing, you see that the world is much more—ever-shifting kaleidoscopic colors everywhere you look. What you see is what you get? No, you are greedy. You want to find that gesture that dispels what you think you know. Maybe, that businessman with bags under his eyes hasn’t been working out of selfishness, but for his wife who’s dying of cancer; working makes money to buy the meds, and working keeps time away, and that is salvation for him. Maybe, that girl wearing Beats headphones is not drowning out the world, but is building a new one that brims with harmonies, melodies, and delicious rhythms. You imagine all the potential of strangers in your coffee shop, at the gym, and on the subway. You play out their life stories, their hopes and fears, their triumphs and demise. You walk among them, but do not merely pass them. You understand—or at least try to.

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Credit: Liz West

Writing is proof. You are a keeper of time and existence. You recognize something precious, distill it, and make it sempiternal. Your words ring on. In the future, you will read your writing to remember what once was.

You write to lift others, penning sentences that begin with a mourning cry, offering teardrops of ink, which eventually dry. Soon enough, your writing bellows. You wield your pen, like many masters before you, to protect and unite. Your writing is a burden, but you cannot deny the light it brings.

So, here you are. Your pen hovers over your notepad as you let glimpses and sounds trickle through your mind. Outside it is morning, the blurry haze of things beginning—or night, the darkness soliciting you, beckoning you to indulge. The world moves but you choose to be still. You are present. You are here. And you are writing.