an orphaned guitar sits upright on a bright yellow velvet armchair. i play with my hair, feel the loose strings resound quietly in my scalp. a pair of gray rubber shoes are left to dry by a leg of this chair. the cement floor soles my feet with a layer of dust. i am standing on an abstract painting: there are patches of grease, driedmud, meltingsnow, and lines of duct tape that resist peeling after the four-square games played when the unfinished house was more like a sunlit ceiling-less cave. i have lived here long enough to picture calendarsflipping, clothesunfolding, drawerssqueaking open
and shut, candlesdwindling,
bottlesemptied, drinksspilled, duststirring,
organization unable to stand up
against time. the dust
settles again as i step
out the door, silence falling
upon disorder
like a distant avalanche.
we have constructed a small miracle,
Hans insists,
who has seen entropy ablaze
take down
our cabin.
i believe him
by the cracks in the new wall, for there
is no reason for this place
except for a fire and giving rise to
something real
that was asking to
become.
Kristine Aman graduated from Denison University with a degree in Creative Writing. She currently lives with her grandparents in Tucson, Arizona, where she enjoys painting, sewing, knitting socks, hiking, and writing. She is an aspiring fashion designer.